Whether working with the tactile push of acrylic on canvas or the fluid precision of digital tools, my painting practice is rooted in emotion, spontaneity, and exploration. These works are not planned—they unfold. Each brushstroke, whether real or virtual, is a reaction to the last, a conversation between instinct and memory, texture and tone.
In acrylic, I’m drawn to the physicality—the resistance of the canvas, the layering of paint, the way light shifts across its surface. In digital work, I find freedom—freedom to experiment, to remix, to move between boldness and subtlety with fluid ease. What unites them is the intention: to capture what can’t be easily named. An emotion, a thought, a shift in energy.
Color plays a central role in both modes. It becomes the language through which I express tension, joy, melancholy, curiosity. Sometimes vivid and wild, sometimes muted and meditative, each palette is a reflection of an internal landscape made momentarily visible.
These paintings are less about representing something outside of myself, and more about revealing what moves within. They are windows into a mood, a memory, a state of becoming—suspended in color and form.
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