I’ve been drawing since I was a child—mostly in the margins of notebooks, letting geometry and rhythm guide my pen while the world moved around me. What began as idle doodles during class or during work calls slowly transformed into a lifelong exploration of time, perception, and self.Today, my work spans photography, acrylic painting, digital painting, and intricate pen-on-paper compositions. Across these mediums, I try to capture not just what is seen, but what is felt—what moves beneath the surface of a moment.At the heart of my process is a fascination with time. I’m drawn to repetition—not to replicate, but to reveal. Whether it’s the countless tiny pen strokes that make up my Study of Time series, the intuitive color fields on canvas, or the precise instant the shutter clicks, each act is a way of documenting presence. Repetition exposes subtle shifts: in emotion, in attention, in breath. It proves that no two lines, no two moments, are ever truly alike.Art, for me, is a form of meditation and a map of personal evolution. Through these works, I trace the contours of my own becoming—each piece a quiet marker on a journey of curiosity, tension, stillness, and joy.This isn’t about perfection. It’s about process. About showing up, line after line, color after color, frame after frame. And in doing so, making the invisible visible.
